Displays at Sawyer: June 2023 - LGBTQ+ Pride Case Display

A genre-bending memoir, a work of 'autotheory' offering fresh, fierce, and timely thinking about desire, identity, and the limitations and possibilities of love and language. It binds an account of Nelson's relationship with her fluidly gendered partner and a journey to and through a pregnancy to a rigorous exploration of sexuality, gender and family.

At the beginning of his physical transition from female to male, Kergil posted weekly update videos on YouTube about the physical and emotional changes he experienced. His openness and positivity attracted thousands of viewers, who followed along as his voice deepened and his body changed shape. This is the story of what came before the videos and what happened behind the scenes. Kergil opens up about the long path to gaining his family's acceptance and to accepting himself, sharing stories along the way about smaller challenges like choosing a new name and learning to shave without eyebrow mishaps

Author and photographer Susan Kuklin met and interviewed six transgender or gender-neutral young adults and used her considerable skills to represent them thoughtfully and respectfully before, during, and after their personal acknowledgment of gender preference. Portraits, family photographs, and candid images grace the pages, augmenting the emotional and physical journey each youth has taken. Each honest discussion and disclosure, whether joyful or heartbreaking, is completely different from the other because of family dynamics, living situations, gender, and the transition these teens make in recognition of their true selves.

From Hida Viloria, writer and intersex activist, a candid, provocative, and eye-opening memoir of life, love, and gender identity as an intact intersex person, as well as a call to action for justice for intersex people. Hida Viloria was raised as a girl but discovered early on that he/r body was different. Unlike most people who are born intersex in the first world--meaning they have genitals, reproductive organs, hormones, and/or chromosomal patterns that do not fit standard definitions of male or female--Hida had the freedom to explore the person s/he was born to be because he/r parents did not agree to have he/r sex characteristics surgically altered at birth. It wasn't until s/he was 26 and encountered the term "intersex" in a San Francisco newspaper that s/he finally had a name for he/r difference. That's when s/he began to explore what it means to live in the space between genders--to be both and neither. As s/he began to reach out to others like he/r, however, Hida discovered that most intersex people had been scarred, both physically and psychologically, by infant surgeries and hormone treatments meant to "correct" their bodies. Eager to help end this practice, Hida came out as intersex at a national and then international level.

Part coming-of-age story, part mind-altering manifesto on gender and sexuality, coming directly to you from the life experiences of a transsexual woman, Gender Outlaw breaks all the rules and leaves the reader forever changed

A powerful meditation on the damaging effects of masculinity from a trans girl--a writer with celebrated indie roots and a knack for dismantling assumptions and challenging the status quo. Toxic masculinity takes many insidious forms, from misogyny and sexual harassment to homophobia, transphobia, and bullying. Vivek Shraya has firsthand experience with nearly all of them. As a boy, Vivek exhibited "feminine" qualities. The men in her life immediately and violently disapproved. They taught her to fear the word girl by turning it into a weapon used to hurt her. They taught her to hate her femininity, to destroy the best parts of herself. In order to survive, Vivek had to learn to convincingly perform masculinity. As a girl, she's still afraid. Having spent years undoing the damage and salvaging her lost girlhood, she is haunted by the violence of men, seldom dressing the way she wants in public. As a result she is often still perceived as male, stirring feelings of guilt and self-doubt: Am I not feminine enough? Is this my fault for striving to be the perfect man and excelling at it? I'm Afraid of Men is a culmination of the years Vivek spent observing men and creating her own version of manhood. Through deeply personal reflection, she offers a rare and multifaceted perspective on gender and a hopeful reimagining of masculinity at a time when it's needed more than ever

Once a Girl, Always a Boy is Jeremy's journey from childhood through coming out as transgender and eventually emerging as an advocate for the transgender community. This is not only Jeremy's story but also that of his family, told from multiple perspectives -- those of the siblings who struggled to understand the brother they once saw as a sister, and of the parents who ultimately joined him in the battle against discrimination

An unflinching and endearing memoir from LGBTQ+ advocate Jackson Bird about how, through a childhood of gender mishaps and an awkward adolescence, he finally sorted things out and came out as a transgender man in his mid-twenties

Before speaking at a national political convention about her experiences as a transgender person, the author struggled with the decision to come out - not just to her family but to the students at her university, where she was serving as student body president. She'd known she was a girl from her earliest memories, but it wasn't until a Facebook post announcing her truth went viral that she realized the impact her story could have on the country. Four years later, the author was one of the nation's most prominent transgender activists, walking the halls of the White House, advocating inclusive legislation, and addressing the country in the midst of a heated presidential election. She had also found her first love and future husband, a trans man and fellow activist, who complemented her in every way ... until cancer tragically intervened. This book is the author's story of love and loss and an account of the LGBTQ community's battle for equal rights

A personal and culture-driven exploration of the most pressing questions facing the transgender community today, from a leading activist, musician, and academic. In Trans Like Me, CN Lester takes readers on a measured, thoughtful, intelligent yet approachable tour through the most important and high-profile narratives around the trans community, turning them inside out and examining where we really are in terms of progress. From the impact of the media's wording in covering trans people and issues, to the way parenting gender variant children is portrayed, Lester brings their charged personal narrative to every topic and expertly lays out the work left to be done. Trans Like Me explores the ways that we are all defined by ideas of gender--whether we live as he, she, or they--and how we can strive for authenticity in a world that forces limiting labels

Smith's unflinching poetry addresses race, class, sexuality, faith, social justice, mortality, and the challenges of living HIV positive at the intersection of black and queer identity. The collection opens with a heartrending sequence that imagines an afterlife for black men shot by police, a place where suspicion, violence, and grief are forgotten and replaced with the safety, love, and longevity they deserved on earth. "Dear White America," which Smith performed at the 2014 Rustbelt Midwest Region Poetry Slam, has as strong an impact on the page as it did on the spoken word stage. Smith's courage and hope amidst the struggle for unity in America will humble and uplift you

Andrea Gibson's latest collection is a masterful showcase from the poet whose writing and performances have captured the hearts of millions. With artful and nuanced looks at gender, romance, loss, and family, Lord of the Butterflies is a new peak in Gibson's career. Each emotion here is deft and delicate, resting inside of imagery heavy enough to sink the heart, while giving the body wings to soar

A love letter to Brown, Queer, and Trans futures, Kay Ulanday Barrett's More Than Organs questions "whatever wholeness means" for bodies always in transit, for the safeties and dangers they silo. These poems remix people of color as earthbenders, replay "the choreography of loss" after the 2015 Pulse shooting, and till joy from the cosmic sweetness of a family's culinary history. Barrett works "to build / a shelter // of / everyone / they] meet," from aunties to the legendary Princess Urduja to their favorite air sign. More Than Organs tattoos grief across the knuckles of its left hand and love across the knuckles of its right, leaving the reader physically changed by the intensity of experience, longing, strength, desire, and the need, above all else, to survive.

Both radically tender and desperate for change, Water I Won't Touch is a life raft and a self-portrait, concerned with the vitality of trans people living in a dangerous and inhospitable landscape. Through the brambles of the Pennsylvania forest to a stretch of the Jersey Shore, in quiet moments and violent memories, Kayleb Rae Candrilli touches the broken earth and examines the whole in its parts. Written during the body's healing from a double mastectomy--in the wake of addiction and family dysfunction--these ambitious poems put new form to what's been lost and gained. Candrilli ultimately imagines a joyful, queer future: a garden to harvest, lasting love, the insistent flamboyance of citrus

Baked with love! Now that high school is over, Ari is dying to move to the big city with his ultra-hip band -- if he can just persuade his dad to let him quit his job at their struggling family bakery. Though he loved working there as a kid, Ari cannot fathom a life wasting away over rising dough and hot ovens. But while interviewing candidates for his replacement, Ari meets Hector, an easygoing guy who loves baking as much as Ari wants to escape it. As they become closer over batches of bread, love is ready to bloom ... that is, if Ari doesn't ruin everything.

Meet Alison's father, a historic preservation expert and obsessive restorer of the family's Victorian house, a third-generation funeral home director, a high school English teacher, an icily distant parent, and a closeted homosexual who, as it turns out, is involved with male students and a family babysitter. Through narrative that is alternately heartbreaking and fiercely funny, we are drawn into a daughter's complex yearning for her father. And yet, apart from assigned stints dusting caskets at the family-owned 'fun home, ' as Alison and her brothers call it, the relationship achieves its most intimate expression through the shared code of books. When Alison comes out as homosexual herself in late adolescence, the denouement is swift, graphic, and redemptive

Fifteen-year-old Morgan has a secret: She can't wait to escape the perfect little island where she lives. She's desperate to finish high school and escape her sad divorced mom, her volatile little brother, and worst of all, her great group of friends...who don't understand Morgan at all. Because really, Morgan's biggest secret is that she has a lot of secrets, including the one about wanting to kiss another girl. Then one night, Morgan is saved from drowning by a mysterious girl named Keltie. The two become friends and suddenly life on the island doesn't seem so stifling anymore. But Keltie has some secrets of her own. And as the girls start to fall in love, everything they're each trying to hide will find its way to the surface...whether Morgan is ready or not.

A NEW GRAPHIC NOVEL ADAPTATION OF THE BESTSELLING BOOK! Juliet Milagros Palante is leaving the Bronx and headed to Portland, Oregon. She just came out to her family and isn't sure if her mom will ever speak to her again. But don't worry, Juliet has something kinda resembling a plan that'll help her figure out what it means to be Puerto Rican, lesbian and out. See, she's going to intern with Harlowe Brisbane - her favorite feminist author, someone whose last work on feminism, self-love and lots of other things will help Juliet find her ever elusive epiphany. There's just one problem--Harlowe's white, not from the Bronx and doesn't have the answers. Okay, maybe that's more than one problem but Juliet never said it was a perfect plan...

Real life isn't a fairytale. But Tíên still enjoys reading his favorite stories with his parents from the books he borrows from the local library. It's hard enough trying to communicate with your parents as a kid, but for Tíên, he doesn't even have the right words because his parents are struggling with their English. Is there a Vietnamese word for what he's going through? Is there a way to tell them he's gay?

Activist-academic Meg John Barker and cartoonist Julia Scheele illuminate the histories of queer thought and LGBTQ+ action in this groundbreaking non-fiction graphic novel. A kaleidoscope of characters from the diverse worlds of pop-culture, film, activism and academia guide us on a journey through the ideas, people and events that have shaped queer "theory". From identity politics and gender roles to privilege and exclusion, Queer explores how we came to view sex, gender and sexuality in the ways that we do; how these ideas get tangled up with our culture and our understanding of biology, psychology and sexology; and how these views have been disputed and challenged. Along the way we look at key landmarks which shift our perspective of what's "normal", such as Alfred Kinsey's view of sexuality as a spectrum between heterosexuality and homosexuality, Judith Butler's view of gendered behavior as a performance, the play Wicked, which reinterprets characters from The Wonderful Wizard of Oz, or moments in Casino Royale when we're invited to view James Bond with the kind of desiring gaze usually directed at female bodies in mainstream media

Drawn from the life narratives of more than seventy African American queer women who were born, raised, and continue to reside in the American South, this book powerfully reveals the way these women experience and express racial, sexual, gender, and class identities--all linked by a place where such identities have generally placed them on the margins of society. Using methods of oral history and performance ethnography, E. Patrick Johnson's work vividly enriches the historical record of racialized sexual minorities in the South and brings to light the realities of the region's thriving black lesbian communities. At once transcendent and grounded in place and time, these narratives raise important questions about queer identity formation, community building, and power relations as they are negotiated within the context of southern history. Johnson uses individual stories to reveal the embedded political and cultural ideologies of the self but also of the listener and society as a whole. These breathtakingly rich life histories show afresh how black female sexuality is and always has been an integral part of the patchwork quilt that is southern culture.

The story of Christine Jorgensen, Americas first prominent transsexual, famously narrated trans embodiment in the postwar era. Her celebrity, however, has obscured other mid-century trans narratives-- ones lived by African Americans such as Lucy Hicks Anderson and James McHarris. Their erasure from trans history masks the profound ways race has figured prominently in the construction and representation of transgender subjects. C. Riley Snorton identifies multiple intersections between blackness and transness from the mid-nineteenth century to present-day anti-black and anti-trans legislation and violence. Drawing on a deep and varied archive of materials--early sexological texts, fugitive slave narratives, Afro-modernist literature, sensationalist journalism, Hollywood films-- Snorton attends to how slavery and the production of racialized gender provided the foundations for an understanding of gender as mutable. In tracing the twinned genealogies of blackness and transness, Snorton follows multiple trajectories, from the medical experiments conducted on enslaved black women by J. Marion Sims, the father of American gynecology, to the negation of blackness that makes transnormativity possible. Revealing instances of personal sovereignty among blacks living in the antebellum North that were mapped in terms of cross-dressing and canonical black literary works that express black mens access to the female within, he concludes with a reading of the fate of Phillip DeVine, who was murdered alongside Brandon Teena in 1993-- a fact omitted from the film Boys Don't Cry out of narrative convenience

A revealing portrait of one of the most gifted and charismatic, yet least understood, Black artists and intellectuals of the twentieth century"-- Amazon.com
Best-known for her work A Raisin in the Sun, Hansberry had an unflinching commitment to social justice which brought her under FBI surveillance when she was barely in her twenties. Hansberry associated with many activists, writers, and musicians; though she married a man, she identified as a lesbian. Perry provides insights into Hansberry's life and writings, and shows how her political activism is reflected in her works.

One of the most important figures of the American civil rights movement, Bayard Rustin taught Martin Luther King Jr. the methods of Gandhi, spearheaded the 1963 March on Washington, and helped bring the struggle of African Americans to the forefront of a nation's consciousness. But despite his incontrovertibly integral role in the movement, the openly gay Rustin is not the household name that many of his activist contemporaries are. In exploring history's Lost Prophet, acclaimed historian John D'Emilio explains why Rustin's influence was minimized by his peers and why his brilliant strategies were not followed or were followed by those he never meant to help

The future of Black, queer, and trans liberation explored by a legendary transgender elder and activist. Miss Major Griffin-Gracy is a veteran of the infamous Stonewall Riots, a former sex worker, and a transgender elder and activist who survived Bellevue psychiatric hospital, New York's jail system, and the HIV/AIDS crisis. For over fifty years, she has been on the front lines of struggles for queer liberation. In this conversation with Toshio Meronek, she presents a remarkable life -- told with intimacy, warmth, and an irresistible levity -- and a road map for those navigating the challenges Black, brown, queer and trans youth face

This compelling book recounts the history of black gay men from the 1950s to the 1990s, tracing how the major movements of the times--from civil rights to black power to gay liberation to AIDS activism--helped shape the cultural stigmas that surrounded race and homosexuality. In locating the rise of black gay identities in historical context, Kevin Mumford explores how activists, performers, and writers rebutted negative stereotypes and refused sexual objectification. Examining the lives of both famous and little-known black gay activists--from James Baldwin and Bayard Rustin to Joseph Beam and Brother Grant-Michael Fitzgerald--Mumford analyzes the ways in which movements for social change both inspired and marginalized black gay men. Drawing on an extensive archive of newspapers, pornography, and film, as well as government documents, organizational records, and personal papers, Mumford sheds new light on four volatile decades in the protracted battle of black gay men for affirmation and empowerment in the face of pervasive racism and homophobia

A revised, updated edition of the acclaimed historical overview of Queer art -- available for the first time in paperback Updated and revised, Art & Queer Culture is a comprehensive and definitive survey of artworks that have constructed, contested, or otherwise responded to alternative forms of sexuality. Rather than focusing exclusively on artists who self-identify as gay or lesbian, Art & Queer Culture instead traces the shifting possibilities and constraints of sexual identity that have provided visual artists with a rich creative resource over the last 130 years -- and it does so in an accessible, authoritative voice, and with a wealth of rarely-seen imagery

The book focuses on the concept of asegi stories--stories that revise and revive Cherokee cultural memories of same-sex relationships and non-binary gender systems. It is the first full-length work of scholarship to develop a tribally specific Indigenous queer/two-spirit critique, providing a Cherokee 2GLBTQ lens from which to interpret the past, understand our present, and imagine decolonial futures

Strobing lights and dark rooms, drag queens on counters, first kisses, last call; the gay bar has long been a place of solidarity and sexual expression. Now they are closing, a cultural demolition that has Jeremy Atherton Lin wondering: Could this spell the end of gay identity as we know it? In prose as exuberant as a hit of poppers and dazzling as a disco ball, the author embarks on a transatlantic tour of the hangouts that marked his life, with each club, pub and dive revealing itself to be a palimpsest of queer history. Gay Bar time-travels from Hollywood nights in the 1970s to a warren of cruising tunnels built beneath London in the 1770s; from chichi bars in the wake of AIDS to today's fluid queer spaces; through glory holes, into Crisco-slicked dungeons and down San Francisco alleys. Atherton Lin charts police raids and riots, posing and passing out--and a chance encounter one restless night that would change his life forever. The journey that emerges is an inquiry into the link between place and identity, inviting us to go beyond Stonewall and enter the underground

Based on extensive research of primary sources and relentless FOIA requests, Charles provides the first comprehensive history of J. Edgar Hoover and the FBI's systematic (some would say obsessive) targeting, investigation, and harassment of homosexuals for the half century that began in the1930s. One of Charles's signal achievements is to piece together the procedures, purposes, and contents of Hoover's "Sex Deviate File" encompassing an estimated 99 cubic feet, or more than 330,000 pages, but which was destroyed by the FBI in the late 1970s

No one raises an eyebrow if you suggest that a guy who arranges his furniture just so, likes techno music or show tunes, and knows all of Bette Davis's best lines by heart might, just possibly, be gay. But if you assert that male homosexuality is a cultural practice, expressive of a unique subjectivity and a distinctive relation to mainstream society, people will protest. This, they will say, is just a stereotype. David Halperin, a pioneer of LGBTQ studies, dares to suggest that gayness is a specific way of being that gay men must learn from one another in order to become who they are. Carrying forward the notorious undergraduate course of the same title that he taught at the University of Michigan, provoking cries of outrage from both the right-wing media and the gay press, Halperin concludes that the genius of gay culture resides in some of its most despised features: its aestheticism, snobbery, melodrama, adoration of glamour, caricatures of women, and obsession with mothers. The insights and unfazed critical intelligence displayed by gay culture, Halperin argues, have much to offer the mainstream.

This LGBTQ history of Boston and Provincetown begins with the coming of Europeans to Massachusetts in 1620 and ends with the victory over the referendum to overturn transgender rights in 2018. It includes many high points of these four hundred years: the torrid romances of nineteenth century actress Charlotte Cushman, the glamorous nightlife of 1950s Boston, the wild times of 1970s Provincetown, and the great outpouring of happiness that accompanied the country's first same-sex marriages. And it describes the tragedies: murders of trans women and gay men, the terrible waves of repression of the 1920s, and the devastation of the AIDS years. It documents how LGBTQ people have been present in the region at least since the coming of Europeans and how LGBTQ people had developed a political consciousness and were advocating for their rights well over a century before Stonewall. This is an important book for anyone who has lived in or visited this historic city and fabulous resort or anyone who cares about the history of LGBTQ people

By the late 1980s, the AIDS pandemic was deeply impacting gay and lesbian communities in America, and disinformation about the disease was running rampant. Out of the activist group ACT UP (AIDS Coalition to Unleash Power), an art collective that called itself Gran Fury was formed, to create graphics and media that campaigned against corporate greed, government inaction, and public indifference to AIDS. In It Was Vulgar and It Was Beautiful, writer Jack Lowery examines Gran Fury's art and activism, from the iconic images like the SILENCE = DEATH graphic and the Kissing Doesn't Kill poster, to the act of dropping thousands of fake bills onto the trading floor of the New York Stock Exchange. Lowery offers a complex, moving portrait of a group that expressed through art the profound trauma of surviving the AIDS crisis and formed essential solidarities between gays and lesbians in the activist community. Gran Fury and ACT UP's strategies are today employed by a variety of activist groups, including survivors of school shootings, harm reduction organizers, and activists for universal healthcare. Their belief in the power of art to create social change and drive political movements is illuminating in this era when violence and unending structural racism continue to target the most vulnerable

In recent years, there has been substantial progress on lesbian, gay, bisexual, transgender, and queer (LGBTQ) civil rights in the United States. We are now, though, in a time of incredible political uncertainty for queer people. LGBTQ Social Movements provides an accessible introduction to mainstream LGBTQ movements in the US, illustrating the many forms that LGBTQ activism has taken since the mid-twentieth century. Covering a range of topics, including the Stonewall uprising and gay liberation, AIDS politics, queer activism, marriage equality fights, youth action, and bisexual and transgender justice, Lisa M. Stulberg explores how marginalized people and communities have used a wide range of political and cultural tools to demand and create change. The five key themes that guide the book are assimilationism and liberationism as complex strategies for equality, the limits and possibilities of legal change, the role of art and popular culture in social change, the interconnectedness of social movements, and the role of privilege in movement organizing. This book is an important tool for understanding current LGBTQ politics and will be essential reading for students and scholars of sexuality, LGBTQ studies, and social movements, as well as anyone new to thinking about these issues.

A timely second edition of the classic text on transgender history, with a new introduction and updated material throughout Covering American transgender history from the mid-twentieth century to today, Transgender History takes a chronological approach to the subject of transgender history, with each chapter covering major movements, writings, and events. Chapters cover the transsexual and transvestite communities in the years following World War II; trans radicalism and social change, which spanned from 1966 with the publication of The Transsexual Phenomenon, and lasted through the early 1970s; the mid-'70s to 1990-the era of identity politics and the changes witnessed in trans circles through these years; and the gender issues witnessed through the '90s and '00s. Transgender History includes informative sidebars highlighting quotes from major texts and speeches in transgender history and brief biographies of key players, plus excerpts from transgender memoirs and discussion of treatments of transgenderism in popular culture

Have pride in history. Through the lenses of protest, power, and pride, We Are Everywhere is an essential overview -- and a visual record -- of the history of the Queer Liberation Movement in the United States. With exhaustively researched narrative and hundreds of stunning photographs, this sweeping book traces queer activism from its roots in the late-nineteenth-century -- long before the pivotal Stonewall Riots of 1969 -- to today, casting new light on many of the movement's trailblazing activists and organizations. Including images from more than seventy photographers and twenty archives, this inclusive and intersectional collection brings the queer past to life, allowing you to have pride in history while serving as a vivid reminder that none of us is free until all of us are free.

The Carls just appeared. Coming home from work at three a.m., twenty-three-year-old April May stumbles across a giant sculpture. Delighted by its appearance and craftsmanship--like a ten-foot-tall Transformer wearing a suit of samurai armor--April and her friend Andy make a video with it, which Andy uploads to YouTube. The next day April wakes up to a viral video and a new life. News quickly spreads that there are Carls in dozens of cities around the world--everywhere from Beijing to Buenos Aires--and April, as their first documentarian, finds herself at the center of an intense international media spotlight...Now April has to deal with the pressure on her relationships, her identity, and her safety that this new position brings, all while being on the front lines of the quest to find out not just what the Carls are, but what they want from us

Danny Tozer has a problem: she just inherited the powers of Dreadnought, the world's greatest superhero. Until Dreadnought fell out of the sky and dies right in front of her, Danny was trying to keep people from finding out she's transgender. But before he expired, Dreadnought passed his mantel to her, and those secondhand superpowers transformed Danny's body into what she's always thought it should be. Now there's no hiding that she's a girl. It should be the happiest time of her life, but Danny's first weeks finally living in a body that fits her are more difficult and complicated than she could have imagined. Between her father's dangerous obsession with 'curing' her girlhood, her best friend suddenly acting like he's entitled to date her, and her fellow superheroes arguing over her place in the ranks, Danny feels like she's in over her head. She doesn't have time to adjust. Dreadnought's murderer--a cyborg named Utopia--still haunts the streets of New Port City, threatening destruction. If Danny can't sort through the confusion of coming out, master her powers, and stop Utopia in time, humanity faces extinction

When people look at George, they think they see a boy. But she knows she's not a boy. She knows she's a girl. George thinks she'll have to keep this a secret forever. Then her teacher announces that their class play is going to be Charlotte's Web. George really, really, REALLY wants to play Charlotte. But the teacher says she can't even try out for the part ... because she's a boy. With the help of her best friend, Kelly, George comes up with a plan. Not just so she can be Charlotte -- but so everyone can know who she is, once and for all

Juliet Milagros Palante is leaving the Bronx and headed to Portland, Oregon. She just came out to her family and isn't sure if her mom will ever speak to her again. But Juliet has a plan, sort of, one that's going to help her figure out this whole 'Puerto Rican lesbian' thing. She's interning with the author of her favorite book: Harlowe Brisbane, the ultimate authority on feminism, women's bodies, and other gay-sounding stuff. Will Juliet be able to figure out her life over the course of one magical summer? Is that even possible? Or is she running away from all the problems that seem too big to handle? With more questions than answers, Juliet takes on Portland, Harlowe, and most importantly, herself

Receiving an invitation to his ex-boyfriend's wedding, Arthur, a failed novelist on the eve of his fiftieth birthday, embarks on an international journey that finds him falling in love, risking his life, reinventing himself, and making connections with the past

Alice had her whole summer planned. Nonstop all-you-can-eat buffets while marathoning her favorite TV shows (best friends totally included) with the smallest dash of adulting-working at the library to pay her share of the rent. The only thing missing from her perfect plan? Her girlfriend (who ended things when Alice confessed she's asexual). Alice is done with dating-no thank you, do not pass go, stick a fork in her, done. But then Alice meets Takumi and she can't stop thinking about him or the rom com-grade romance feels she did not ask for (uncertainty, butterflies, and swoons, oh my!). When her blissful summer takes an unexpected turn and Takumi becomes her knight with a shiny library-employee badge (close enough), Alice has to decide if she's willing to risk their friendship for a love that might not be reciprocated-or understood

When a gruesome murder is discovered at The Osthorne Academy of Young Mages, where her estranged twin sister teaches Theoretical Magic, reluctant detective Ivy Gamble is pulled into the world of untold power and dangerous secrets. She will have to find a murderer and reclaim her sister without losing herself

Nevada is the darkly comedic story of Maria Griffiths a young trans woman living in New York City and trying to stay true to her punk values while working retail. When she finds out her girlfriend has lied to her, the world she thought she'd carefully built for herself begins to unravel, and Maria sets out on a journey that will most certainly change her forever.

It's 1993 and Paul Polydoris tends bar at the only gay club in a university town thrumming with politics and partying. He studies queer theory, has a dyke best friend, makes zines, and is a flaneur with a rich dating life. But Paul's also got a secret: he's a shapeshifter. Oscillating wildly from Riot Grrrl to leather cub, Paul transforms his body and his gender at will as he crossed the country--a journey and adventure through the deep queer archives of struggle and pleasure. Paul Takes the Form of a Mortal Girl is a riotous, razor-sharp bildungsroman whose hero/ine wends his/her way through a world gutted by loss, pulsing with music, and opening into an array of intimacy and connections

There are no monsters anymore. In the city of Lucille, Jam and her best friend, Redemption, have grown up with this lesson all their lives. Then Jam meets Pet, a creature made of horns and colors and claws, who emerges from one of her mother's paintings and a drop of Jam's blood. Pet has come to hunt a monster-- and the shadow of something grim lurks in Redemption's house. How do you save the world from monsters if no one will admit they exist?

Gyen Jebi isn't a fighter or a subversive. They just want to paint. One day they're jobless and desperate; the next, Jebi finds themself recruited by the Ministry of Armor to paint the mystical sigils that animate the occupying government's automaton soldiers. When Jebi discovers the depths of the Razanei government's horrifying crimes--and the awful source of the magical pigments they use--they find they can no longer stay out of politics. What they can do is steal Arazi, the ministry's mighty dragon automaton, and find a way to fight

A landmark coming-of-age novel that launched the career of one of this country's most distinctive voices. Rita Mae Brown tells the story of Molly Bolt, the adoptive daughter of a dirt-poor Southern couple who boldly forges her own path in America. With her startling beauty and crackling wit, Molly finds that women are drawn to her wherever she goes-- and she refuses to apologize for loving them back

Zachary Ezra Rawlins is a graduate student in Vermont when he discovers a rare book hidden in the stacks. As he turns the pages, entranced by tales of lovelorn prisoners, key collectors, and nameless acolytes, he reads something strange: a story from his own childhood. Bewildered by this inexplicable book and desperate to make sense of how his own life came to be recorded, Zachary uncovers a series of clues -- a bee, a key, and a sword -- that lead him to a masquerade party in New York, to a secret club, and through a doorway to a subterranean library, hidden far below the surface of the earth. What Zachary finds in this curious place is more than just a buried home for books and their guardians--it is a place of lost cities and seas of honey, lovers who pass notes under doors and across time, and of stories whispered by the dead. Zachary learns of those who have sacrificed much to protect this realm, relinquishing their sight and their tongues to preserve this archive, and also those who are intent on its destruction. Together with Mirabel, a fierce, pink-haired protector of the place, and Dorian, a beautiful barefoot man with shifting alliances, Zachary travels the twisting tunnels, darkened stairwells, crowded ballrooms, and sweetly-soaked shores of this magical world, discovering his purpose -- in both the rare book and in his own life

Port of Spain, Trinidad. Sixteen-year-old Audre is heartbroken, having just found out she's going to live in America with her father because her mother caught her with her secret girlfriend, the pastor's granddaughter. Audre's grandmother (a dancer who drives a white convertible Mercedes and has a few secrets of her own) reassures Audre that she won't lose her roots, not even in some place called Minneapolis. "America have dey spirits too, believe me," she tells Audre. Minneapolis, USA. Sixteen-year-old Mabel is staring at a picture of Whitney Houston, trying figure out why she feels the way she feels - about her ex, Terrell, about her girl Jada and that moment they had in the woods, and about the vague feeling of illness that's plagued her all summer. Mabel's reverie is cut short when her dad announces that a friend and his just-arrived-from-Trinidad daughter are coming for dinner. Mabel falls hard and fast for Audre, and she's determined to help Audre find her way in America - never an easy thing for a Black girl, as she knows. But their romance takes a turn when test results reveal exactly why Mabel has been feeling low-key sick all summer. Suddenly it's Audre who must care for Mabel as she faces a deeply uncertain future

On September 5, a little after midnight, Death-Cast calls Mateo Torrez and Rufus Emeterio to deliver some bad news: They're going to die in less than twenty-four hours. Mateo and Rufus are total strangers, but, for different reasons, they're both looking to make a new friend on the End Day. The good news is there's an app for that. It's called Last Friend, and through it, Rufus and Mateo meet up for one final epic adventure--to live a lifetime in a single day.

From the author of the acclaimed and award-winning debut The Map of Salt and Stars, a remarkably moving and lyrical novel following three generations of Syrian Americans who are linked by the truths they carry close to their hearts. Five years after a suspicious fire killed his mother, a closeted Syrian American trans boy sheds his birth name and searches for a new one. He has been unable to paint since his mother's ghost has begun to visit him each evening. The only time he feels truly free is when he slips out at night to paint murals on buildings in the once-thriving Manhattan neighborhood known as Little Syria. One night, he finds the tattered journal of a Syrian American artist named Laila Z. She famously and mysteriously disappeared more than sixty years before, but her journal contains proof that Laila Z's past is intimately tied to his mother's--and his grandmother's--in ways he never could have expected. Even more surprising, Laila Z's story reveals the histories of queer and transgender people within his community that he never knew.

To everyone who knows them, best friends Miel and Sam are as strange as they are inseparable. Roses grow out of Miel's wrist, and rumors say that she spilled out of a water tower when she was five. Sam is known for the moons he paints and hangs in the trees and for how little anyone knows about his life before he and his mother moved to town. But as odd as everyone considers Miel and Sam, even they stay away from the Bonner girls, four beautiful sisters rumored to be witches.